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小 发表于 2007-12-25 00:17 只看该作者
[关注]孙平《不知道Unknown Tao》艺术视频发布!
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4 t8 I( z6 \ a4 e4 P8 J5 u+ a1 Y6 |* y; ~/ ^引用:
% r6 b( v9 Q6 O) H7 `: v/ S( ^作品:《不知道Unknown Tao》9 i+ X& U, c6 t1 H& W$ F7 n
作者:13581730804 孙平先生; C {3 N% Y5 h1 S. z0 @% S: f, {
网站:现代艺术部落(WWW.XDSF.COM) " g( _4 e3 b! `, u m4 s
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作者自述:我于生活的觉悟在于越来越趋向“不知道”。可是,在鬼混的生活当中,却有幸从民间发现一种非常的身体书法,令我惊叹不已。试想:稍加文化,既可以借来针对这个世界中泛滥的价值与意义、智巧与方法,尤其是那些时常让人们宠辱若惊的关于卑贱与尊贵、低俗与高雅和丑与美的胡说做些否定性的反应;也可以效仿其人之道,将它打造成惊世骇俗的“传世经典”。与朋友互通书法且想象人之思维逻辑的误会和劳役的徒然被消解是十分惬意的。也许我们于艺术的兴趣和想象力生性如狼纵野奔逸而无法与主流形成默契。或者说,对于某种权力与权威和思想与行为方法的反动,会让我们感到些许活着的飘然自在。
# h' Q; n1 }# `6 Y把一件民间生活的事实=艺术会怎么样呢?天知否?
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: w: Z w$ U6 w+ a' m9 }2 V附:《梦游黄龙》
- J; m) l* A# P2006年间,获好友赠《溪山清远》,借文寻境,悠然神往。适值秋高气爽,遂邀几个弟兄西出长沙,日游桃花故源,暮歇武陵山中,到处莺歌燕舞,把酒“天上人间”。巧遇民间小妹嬉戏,拉扯玩弄笔墨消遣。未等惊魂落定,早已掀翻在地。使出大马金刀,腹背摊肉为纸,一阵虎步龙行,前后乱写胡画。却有那“悬针垂露之异、奔雷堕石之奇、鸿飞兽骇之姿、鸾舞蛇惊之态、绝岸秃峰之势、临危居槁之形。”(引自唐孙过庭《书谱》)真是极尽山林女儿烂漫,羞得市井丈夫汗颜。若起江州司马于九泉,哪止银瓶乍破水浆迸。实在鲜活生猛,疑是梦游“黄龙”(当地一传说中的仙人溶洞)。事毕探问同行弟兄,多见摇头叹曰荒唐。 @8 _8 b2 A7 z* h
返回下榻客栈,彻夜辗转反侧,思绪万千,乱箭追心。不知该疑当今世界?还是该怨小妹风流?不知文化是也非也?还是世人喜兮悲兮?不知道……窃问东晋王氏右军者,只闻一声大笑荡长空。突然间,风萧萧,树唰唰,恍惚有那么一堆令天下君子乐此不彼的价值和意义、智巧和方法,还有那令我辈凡夫宠辱若惊的卑贱与尊贵、下流与高雅和美与丑的招摇,正被狂风凋成了满地飘零的败叶。哈哈!风骚之意,天地之心。我亦随之一千零八十度滚翻,庆幸仙人点拨,犹如醍醐灌顶,茅塞顿开,恍然大悟。虽自惭形秽,却妙不可言。$ i f6 R! F" r! B% @; F9 L8 b
本应寻常看山看水,实在难得彻底割舍。从此,我似龙蠖蛰起,飞鸟出林。决意随步置履,与其互通书艺。不求能有何等作为,只为添得人生惬意。倘若不慎惊世骇俗,缘故野逸乃神境耳。( S8 M. e. a( `# w% C- A* k
殊不知,鬼混者最聪明,执着者最愚蠢。不识艺术真面目,只缘身在此术中。
( {8 P+ y4 I/ m7 _; B" _% U$ J孙平 2006年11月7日于武陵黄龙
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○1.行为。
' M" f l! N+ A3 F% r% p○2.纸本和绢本墨宝。 - Q0 X5 Z; z9 O% W5 ]/ h1 B F
○3.VIDEO。
1 \, y& |4 q3 A: s) J9 {# o+ H# j○4.图片。 ' T$ ^8 V2 f; O
○5.现场装置、工具与饰品。 " r9 K! q, o% l: z1 K6 T
○6.雕刻(包括仿传统石碑雕刻、大型工业钢板雕刻和新材料雕刻等)。 5 Y$ y8 z1 P/ T1 {' O0 L
○7.雕刻拓片。 - T6 G4 `: C8 I" @1 u1 h. G/ Y' Y
○8.仿古线装经典书帖。
+ O1 i) {2 @- S& I7 O○9.文案资料…… . }1 T9 H( y/ r: R( p
) R1 v+ z; @: `8 K% m( I8 ?引用:A. Artist’s statement & S2 d- a2 o# l3 R9 h
The more I comprehend and the more I know, the less I care about knowing. ; f7 H' A+ I0 N/ T' b. w2 c: c8 ]
But, amongst a life of idleness and common pleasures, I was lucky to discover an extraordinary “body calligraphy”. By mixing in a little bit of culture, it can be used to explain the overflowing methods, wisdom, values, meanings etc of this world, – especially clearing away all rubbish talk of baseness and nobility, obscenity and elegance, ugliness and beauty . . . by the same token, the material’s originality and its rawness screams to be noticed, I can hardly refuse its potential to be employed to explore new ways to communicate and to create, something remarkable that can stand the test of time...
$ O2 S+ z* h2 ^( M/ }- C2 pChanging one’s point-of-view, the method of engaging a task – this makes one happy . . . maybe my interest in art stems from a natural predilection for counter-revolutionary imaginings about power & expertise and thought & action . . . maybe it’s too difficult for me to transcend “see the mountain as not mountain, see the water as not water”, to attain true clarity. I should think about this.
; J5 h( ]! E0 e7 z$ WWhat will happen if we realized that our folksy existential pleasures can give us just the same taste and glimpse of freedom that an art form promises? Only God knows! 9 B9 D- s6 @, i# E! P
The works include photos, video, calligraphy and installations of four performances from 2006-2007
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B. Media range
# W& N: [0 c- B; `0 n7 @ o1.Performance.
# v0 {% z3 X6 Y4 G- a2. Rice paper, silk and sumi ink. , S6 j, D9 _- _. |/ P B) N4 n
3. Video. / G, y+ P' Z% g+ x+ p# D: Q# V
4. Photos.
8 M' m2 U! s8 U5. Instillations. $ n2 B5 @ N9 _- r2 i0 Y0 Z8 I
6. Sculptures and carvings on traditional Han Bai Yu stones, steel, and acrylics.) W6 t4 f+ D( i* l) S
7. Hand made limited prints from the original carvings. - h4 u @6 D" p0 P
8, Art books in classic style.
" c2 q7 D8 V5 q/ l9. Documentation of conversations and interviews and work in process. 3 a, {! H- O$ R0 w x; `- z# w % U+ b3 D2 Q: K& K4 b0 w7 P. p$ O; t, @4 V$ _6 L
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孙平 Tao Unknown 视频 现代艺术

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